1472-1553 German Lucas Cranach Locations Lucas Cranach the Elder was born at Kronach, Franconia. He was apparently trained by his father, Hans, a painter, and from 1495 to 1498 undertook work at Kronach for Coburg and Gotha. There is evidence that Cranach resided in Vienna between about 1500 and 1504. In 1504 he married Barbara Brengbier of Gotha; they had three daughters and two sons, Hans (died 1537) and Lucas the Younger (1515-1586), both of whom were painters. In 1505 Cranach established residence at Wittenberg, where he was court painter to three successive electors: Frederick the Wise, John the Constant, and John Frederick the Magnanimous. Cranach was a prosperous and respected citizen. He owned several houses and land, held the office of councilor, and was a burgomaster. He also worked for other princely patrons and was a follower and lifelong friend of Martin Luther. In 1550 Cranach followed John Frederick the Magnanimous to Augsburg, where the elector was in exile, and in 1552 accompanied him to Weimar. Cranach died in Weimar on Oct. 16, 1553.   Related Paintings of Lucas Cranach :. | John, Duke of Saxony | Portrait dune noble dame saxonne | Adam and Eve | The Procuress | The Martyrdom of St.Barbara |
Related Artists:
georg pauli
1855-1935, youths bathing, 1914 nationalmuseum
Pieter Claesz
Dutch 1597-1660 Pieter Claesz Locations Dutch painter of German birth. He apparently spent his entire career in Haarlem, where he specialized in still-life paintings. Well over 100 works survive, dating from 1621 to 1660. Most of his pictures are dated and monogrammed PC. Since those initials were shared by the Antwerp still-life painter CLARA PEETERS, several attributions are disputed.
Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.